Then, the fridge and oven were on the other side of the room
Ok, now; moving right along... (ok it has been 4 years. Stop quibbling.)

Here is the kitchen with the drywall up, and no cabinets yet.

I have a little metal table I use next to the bbq. I painted it a while back, and am just now getting to posting.
More importantly, Scott and I went on a pizza binge this summer, getting the pre-made Larry's artichoke, sundried tomato, chevre, pesto pizza (EIGHT BUCKS!! NO LIE), (and also the spinach, feta, roasted pepper, portabella); loaded up the briquette starting thing, (if you don't have one of these things, get one) and 15 minutes later, you are ready to go. Put the pizza on a pan, close up the Webber and in another 15 you are in heaven.
I know it is a little late in the barbeque season, but you gotta try this.
Kind of got off to a shaky start, because I thought Friday was Thursday (long story, ok not really long, but I am still not going in to it here), so when she called me, semi-frantic, semi-pissed I hadn't picked her up yet -- I had a half a second of "Huh? Portland? Aren't we doing that tomorrow?" Before realizing, uh oh, brainiac strikes again; Not much damage done, thankfully. I threw some stuff in a bag, and we were on the road in an hour.
We went to the Affair at the Jupiter. I couldn't agree more with the Willamette Weekly's assesment of the whole thing, quite impressive--artwise, that is. Closing the bar at 10? I thought Seattle's art parties were lackluster -- but at least we let the keg run out.
But honestly, that is quibbling, We had a fabulous time. Local Wundersomthing Jeff Jahn curated an excellent show, Fresh Trouble. In retrospect, the most compelling piece in the show was by Jahn's GF Laura Fritz. Her installation in a small room at the back of the space was disjointed (and it was very dark; what is it with super-dark installations? I realize it covers a multitude of sins, but, oh wait I am rambling) -- but one part of it was a long, low rectangular box, with one end a glowing white-plexi screen, on which were projected shadows of a cat--or was the cat actually in the box? This was by far the most distressing and disconcerting feeling I have had in an art-experience for some time. Who would lock a cat in a box for the sake of an art installation? Surely there was not really a cat in there? As I lingered in the room, listening to the other viewers, it was interesting to listen to them question if there were a live cat in the box, and reason their way to concluding it just couldn't be...surely he would meow? Anyway, I think anything that makes people spend that much time and energy is a successful piece.
The box of pee, though; I guess I didn't get that.
Anyhow, go if you can, it is up one more weekend.
I finally made it to Carolyn's show at Highline. I just love her line quality and the strange scary dark she gets. I remember way back in the dark ages when I was learning to draw, I was struggling with something, suddenly the thought came to me, "Carolyn wouldn't be afraid of doing this". It was really a breakthrough for me, to understand the difference between being inspired by someone vs. copying their moves. Thanks Carolyn!
Highline doesn't have Carolyns work up yet on their gallery page, but they do have a webcam! Until the show is taken down, you can look at it that way.